Paskine
The Shapes of Collapses
Tracklisting
1.Noah man Tz of 06:07
2.T a t Stepfather Beautiful 05:17
3.As a Matter of Fact 04:30
4.Twain twain 06:07
5.And the Hexagon 04:16
6.Be Llachoa 05:04
7.Escaped Mihlah 04:28
8.Ballast entitled 03:03
9.Ballast-Rasha 04:57
10.From Milgram Ich 03:45
11.Rasha Island (bonus) 03:44
12.Aikrb Mihla (bonus) 04:47
Format
CD + DigitalRef
VXVCD012Release Date
January 31th, 2017Credits
Composed, produced, performed & mixed by Paskine.
This album was composed during a residency at gmem CNCM Marseille between october 2015 and january 2016
Artwork and Design by Paskine
Mastering by Vincent Villuis at Ultimae Studio
Duration: 56:05 min
2 Bonus Tracks Included
[EN]
The Shapes of Collapses is Paskine’s sophomore album. His debut album Nimod was released in 2014 by VoxxoV Records. His new album is composed of ten tracks (and two bonus tracks) mirroring the different shapes of collapses and explosions.
It is a die-hard work striving to reach sound abstraction as close as possible, and it sometimes achieves this goal. As a result, the melodies, the rhythmics, and the other repetitive elements constantly evolve until they collapse and drown in their own sonorous and abrasive streams. It only comes to mutation and the evolution of sounds.
Consequently, this album can be equated with a repetition of cycles freely inspired by natural disasters such as the melting of ice caps, volcanic eruptions, meteorological anomalies and so on. The sound elements are all exclusively electronic. The Shapes of Collapses is the result of several years of work and research. The latter were accomplished especially thanks to the gmem CNCM in Marseilles, who offered their invaluable help during a research residency in 2015 and 2016.
[FR]
The Shapes of Collapses est le second album de Paskine. Il fait suite à son album Nimrod édité en 2014 par VoxxoV Records. Cette collection de dix pièces sonores (plus deux titres bonus) est construite autour de l’idée de composer les formes d’écroulements, de déflagrations.
C’est un travail jusqu’au-boutiste cherchant à s’approcher au plus près de l’abstraction sonore, pour parfois l’atteindre. Ainsi, les mélodies, rythmiques et autres éléments répétitifs évoluent constamment jusqu’à s’écrouler et se noyer dans leurs propres torrents sonores abrasifs. Tout n’est ici question que de mutation et d'évolution de la matière.
En cela, l’album peut-être considéré comme une répétition de cycles s’inspirant librement de réactions naturelles radicales, fonte des glaces, éruptions volcaniques, événements météorologiques etc.
Tous les éléments sonores sont ici purement électroniques.
Cet album est le fruit d'une année de travail et de recherche, réalisé notamment grâce à l'aide précieuse du gmem CNCM Marseille, lors d’une résidence de recherche en 2015 et 2016.